Today I’d like to introduce you to the pottery Dean Haungooah (b. 1972.) I believe that he is one of the most talented and least known Pueblo potters. His family name in Kiowa translates to “Sunlight reflecting off Buffalo Horns.”

The Anasazi, or “Ancestral Puebloans” as contemporary anthropologists refer to them created pottery for utilitarian uses beginning about 200 A.D. They cooked in it, stored food in it, ate and drank from it. And, as anyone who has spent much time looking at the pottery from Mesa Verde, Chaco Canyon or any of the early living sites of the early inhabitants knows, they spent an inordinate amount of time and effort decorating these vessels with beautiful designs.

Years ago, my sister published a print from a painting by Western artist Jim Rey that depicted early explorers, with their horses, staring down at Cliff Palace. Richard Wetherill, an area cowboy, is widely credited with having “discovered” the ruins, but likely, early explorers beat him to it. He was the first to realize the archaeological importance of the find.

In New Mexico, Nativity Sets, Creche or manger scenes made by Pueblo Indians depicting the birth of Christ, are commonly known as Nacimientos. That is because of the predominantly Hispanic culture in the area and the fact that the Christianization of the Pueblo people was a result of the Spanish settlers. It’s not a real pretty story, but as times evolved, the Catholic faith has become intermingled with the lives of the Pueblo people.

Today we are going to share a set of plates made by Maria and her husband, Julian, that are really unique. How unique? Well, what would you think if I told you that Maria made several sets of plates that were intended to be used as dinnerware?

The process of creating Santa Clara, or any other traditional Pueblo pottery, is exacting and challenging. From locating the clay source, digging it out of the ground, cleaning it, creating the pot by hand using the coil method, carving or painting designs on the pot, polishing it and then firing it under a pile of Pinon or sheep manure, it is a long process.

If you study the history of the Southwestern tribes, you’ll find that the Hopi and Navajo have not always been the best of buddies. Some of the animosity is long term, going back to ancient days, and some of it relates to more recent times. 

Ben Eustace was born into the Zuni Pueblo sometime in the 1920’s. He became a well known silversmith who was essentially self taught. He did something unusual in the 1970’s when he registered a leaf design with the copyright office. His family still uses that style today.

Stella Shutiva was from the Acoma Pueblo which is West of Albuquerque off of I-40 near Grants, New Mexico. Potters from prehistoric sites in the southwest created pottery that had a corrugated look and feel. The outside of the pot is textured in rows where the coils circle the pot. Stella's mother, Jessie Garcia, is credited with being the first person to recreate this unique style.

Carolyn Sando, of Jemez Pueblo, has been a great friend and one of our favorite artists since she attended Fort Lewis College in Durango, over thirty years ago! It’s hard to believe we’ve known each other for that many years, but it has been a pleasure. She is one of those people whose enthusiasm and smile are contagious! In the fall of every year, she brings us a nice selection of her Nativity sets which are always a big hit.