Alex Sanchez is one of those artists who bridges traditional and contemporary in his jewelry. His work is heavy, and his stamp work is precise. He only uses top-quality stones. That would be enough for Sanchez to stand out among his contemporaries, but he takes the work a step further.

Jeanette Dale ranks near the top in the Traditional Navajo Silversmiths category. She comes from a family of artists. Her mother, father, and brother were accomplished silversmiths, and another brother, Eugene Joe (Baatsoslani), is arguably the finest sand painter on the Navajo Nation.

Wilson and Carol Begay were raised at Manulito, not far from Gallup. Carol went to school at the Navajo Bible Mission by the Catholic Church there. One of her earliest memories of Wilson was when he and a group of boys would come to the school to play basketball. Carol's mother always told her not to hang around with those boys and to come home if they were down at the school.

Coral was introduced to the Southwest by the Spanish who brought beads made from the material to the area as trade items. The Pueblo Indians began using the coral beads and, later, branch coral pieces to complement their turquoise heishi necklaces.

My mother always gave male shoppers good advice when they didn't know what to buy for the women in their lives.

"Every woman needs at least one strand of silver beads!"

Her reasons were pretty simple.

From Santo Domingo Pueblo (Kewa), Larry Pacheco was never known for traditional lapidary Santo Domingo Jewelry. He first came to the attention of jewelry collectors for what would generally be considered traditional Navajo jewelry.

Over the years, we have become accustomed to Jeanette Dale creating amazing jewelry. She puts her entire soul into crafting beautiful work, small and large.

In May of 2014, right after the Iron Horse Bicycle Race in Durango,  I was in the Gallery when Tommy Singer walked in wearing his motorcycle leathers. I had known Tommy for over thirty years and had sold his jewelry since the 1970s.

Marie Jackson learned to make jewelry from her in-laws, Martha and Gene. When she met her husband, Tommy, he had been silversmith for years.

"I watched Martha and Gene making jewelry, and they helped me to get started. Tommy encouraged me, too!" she says.

Before we opened our gallery in Durango, we used to buy and sell rugs and jewelry out of my father’s office in his Pepsi Cola.  We were lucky to meet and work with many well-known and accomplished artists. Many of these people became, famous for their work. 

Mark Chee (1914-1981) was one of the Navajo Nation's most famous silversmiths. His silverware work was precise and clean. He used top-quality turquoise. Toward the end of his career, he always had a line of customers waiting for his work

On Friday, April 21, Mom was the first one at the Gallery. She usually has been for the past 40 years. She would unlock the building, get the lights on, fire up the computer, and get the Gallery ready for business.